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Young Hunters: The Beast of Bevendean is a children's action adventure film, about two boy's hunt for the mysterious creature said to be living in the woods on the edge of town.
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绰号“LUCKY”的葛蓝是一名出色的战斗机飞行员，但他厌倦了血与火的生活，于是申请从空军退役，任职于一家航空公司。 然而，民航飞行员的生涯也不是一帆风顺的。一次他飞行途中刚刚升空就遇上乱流，导致客机与一架直升机凌空相撞，一个引擎报废，机身严重受损并失去平衡，虽然不至于立即坠毁，但只能向上爬升不能下降。 一切是这样措手不及，燃料却只剩下两小时，在这短短的时间里他要经历一生中最大的挑战，319名乘客的性命完全操纵在他的手上…… 无奈之中，地面控制中心请求空军派遣一架空中加油机协助救援，军机也唯有冒险一试：先扫射客机尾翼，使其停止继续爬升，然后通过加油管道向客机机头注水，试图恢复机身平衡。 在这期间，葛蓝和客机的空乘人员们要面临机身破损失压、氧气不足、机舱气温急剧下降的巨大风险…… 他们能否从地狱门口平安返航，降落人间呢……
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Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
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A fast paced dramatic thriller set in locations throughout Victoria, Australia. Grady (Marcus Graham) an ex-soldier whose life has been disrupted and his emotions disturbed, by his experiences at war and in prison, escapes from police custody after attending the burial of his murdered brother, Chris. Although free he is 'on the run' and is driven by his desire for freedom and a need to avenge his brother's death by finding his killer. With his hands still handcuffed Grady returns home and he turns to his former lover Kate, for help. Initially, Kate is not pleased to see Grady but she reluctantly agrees to help him. Grady attempts to call in some favors from his old cell mate, Keith, who together with Grady, Chris and their cousin Frank, were involved in money laundering operations. Keith is now keen to stay on the side of the law. Keith tells Grady that Frank and Chris were in business together and that Frank should not be trusted - Chris had made that mistake and now he was dead. Grady and Kate drive to Chris's country house and on their arrival they meet Frank Maguire. Frank is very nervous and Grady suspects that Chris was betrayed by the people whom he trusted most. They find a number of clues that Chris had left and they piece together the events leading to his death. Thrown together again they realize that their passion for each other still exists and, in an all explosive climax they are forced to fight for their lives - and their future
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It is an action film directed and stared by Wayne Crawford. Two Los Angeles cops, an aging slob (Wayne Crawford) and his cocky young partner (Martin Hewitt), are suspended from duty after inciting an incident at a chop shop. The two decide to track down the owner (James Hong), and follow him all the way to a Hong Kong crime ring. 这是一部由韦恩·克劳福德自导自演的动作片。讲述了两名警员在进行一项普通的日常调查时，卷入一个庞大的国际性汽车走私圈套……